ghostwings: An image of Yuna, a character from Final Fantasy X and X-2, in her Songstress outfit (Yuna)

My AO3 name is Eida, and I'm requesting the following games/characters:

16 Ways to Kill a Vampire at McDonalds - Lucy & Maggie & Luke, Lucy & Claire, Lucy & Maggie & Luke & Claire

Aquaria - Naija

Final Fantasy VI - Celes Chere, Terra Branford, Terra Branford & Celes Chere, Terra Branford/Celes Chere

Final Fantasy X & X-2 - Yuna & Rikku, Yuna & Rikku & Paine, Rikku/Paine

I've requested fan fiction for all of them.

Here are a few of my general fic likes:

-Relationship development


-Seeing characters be competent at what they do (and discovering their niche)

-Characters who are comfortable with each other, and willing to engage in good-natured banter

-Missing scenes and perspectives from characters we didn't get to see much of in canon.

-Fics set pre- and post- canon.

-Worldbuilding--I love seeing aspects of canon examined more deeply or expanded on in interesting ways.

-Exploring the viewpoint of non-human characters who might think and behave differently than humans would

-Fics that include/consist of in-universe documents (i.e. letters, news articles, excerpts from history books, chatlogs, etc.)

Also, I'm completely okay with canon divergence AUs, if you have an interesting what-might-have-been you want to pursue.

16 Ways to Kill a Vampire at McDonalds

This Twine game can be played online here.

I'd love to see more vampire-hunting adventures. For Lucy & Maggie & Luke, this could be pre- or post-game. I'm curious as to how the three of them got together in the first place--did they all know each other before going into the vampire-hunting business, or did they meet afterwards?How did they discover the existence of vampires, and why did they decide to fight them? Were any of them potential vampire victims (as the cashier Claire was in-game) who were rescued, or did any of them have friends/family who were attacked by/turned into vampires? Luke uses his grandfather's holy musket, which implies that, for him, the job runs in the family (although it's possible the musket was just a regular musket while his grandfather had it, and was only made holy after it came into Luke's possession).

Or maybe all three of them just answered the same Craigslist ad: "Freelance Vampire Hunters Wanted!!! Start Today!"

For Lucy & Claire--in some of the variants of the true ending, Lucy tells Claire about vampires, and Claire ends up becoming a vampire hunter. Of course, it doesn't describe the exact path she takes to vampire-hunting--it's possible that Lucy wouldn't be 100% gung-ho about having a seventeen-year-old jump into the dangerous life of a vampire hunter, and equally possible that Claire might insist. Or, in the fire extinguisher ending, Claire doesn't get out of the hospital until Lucy & Co leave town, and after Claire finds that she can't go back to her normal routine after all that's happened, she decides to follow them--and ends up becoming a vampire hunter on that route, as well. What's the reunion with Lucy like?

For Lucy & Maggie & Luke & Claire--assuming Claire ends up joining the rest of the vampire hunting team, how do Maggie and Luke react to her joining up? How does she fit into the group? Lucy's "professional bait," Maggie goes for hand-to-hand combat, and Luke has his holy musket--where does Claire fit in? What skills does she end up bringing to the team?


This is such a beautiful, atmospheric game, and it can also be a rather lonely one. For much of the game, Naija has no one she can talk to at all; she's making her way across the ocean alone. (She's not so alone after meeting Li. He doesn't have any in-game dialogue, to my recollection, though presumably they manage to communicate somehow, given that they fall in love and have a son.)

Naija goes through a lot--she starts out as a person with no memory of her past, living a simple, peaceful life, until she discovers a song that permits her entrance to some mysterious ruins and a forgotten god--and from there, she keeps going, traversing area after area, discovering the ruins of the city where her people once lived, and meeting--and killing--gods, until she comes face to face with the Creator of her world, who is nothing like she would have imagined.

And then, at last, she finds her mother--and learns the truth of how she lost her memory. She's stolen away from her family--a sequel hook for a sequel that never materialized.

Pre-canon, during canon, and post-canon would all be welcome. What was her youth in Mithalas like? What are her reactions to encountering some of the beauties and horrors she encounters on her journey? And what becomes of her after her mother, Mia, sweeps Naija away for her own purposes? Does she ever reunite with her family again?

Final Fantasy VI

I love both Celes and Terra. Both were raised by the Empire, both possess magical power that separates them from the rest of humanity, and both wind up on the side of the rebellion.

It's not entirely clear to what extent they interacted pre-game. In the GBA version, after meeting in Narshe, she says "Terra... Who'd have thought we'd meet again... like this?" This implies that there's some history between the two of them, and Celes would certainly have at least known of Terra's existence, given how the Empire used her as a living weapon--and was likely acquainted with her to some extent before Kefka put the Slave Crown on Terra.

I can't imagine Celes really approved of putting the Slave Crown on Terra, but that in itself didn't cause her to defect, which is an issue that's not really discussed too much in-game.

Celes and Terra are both eighteen years old. Somehow, despite her young age, Celes is a general--which I can't imagine went over well with all of the troops she was commanding, many of whom would have been older than her (and male). She's a prodigy, but she would have had to continually have to prove herself--which probably contributed to her sharp, icy demeanor.

Terra's got plenty of her own issues--one of the major themes of the game involves her trying to figure out who she is, given both the fact that the Empire used her as a (mind-controlled) weapon due to her magic, and the fact that she's of mixed human and Esper heritage. She's had her past stolen from her (though she recovers memories as time passes), and she's afraid that she may not even be capable of love. (Which led to Terra questioning Celes if she could feel love, which, understandably, Celes mistakes for mockery.)

They both find acceptance, in the end; they make friends among the other party members, and Terra takes care of the orphans of Mobliz.

I'd love to see anything about either, or both (and in the latter case, both gen and femslash would be lovely). What were their experiences as living magical weapons, trained by the Empire? What interactions did they have pre-canon? What was Celes' reaction to discovering that Kefka had used a Slave Crown on Terra? Does Terra ever have an actual conversation with Celes about love? What is it like for both of them to lose their magic--and for Terra to lose her Esper half? What do they end up doing post-game?

Final Fantasy X & X-2

(Please feel free to ignore FFX-2.5 ~Eien no Daisho~ and FFX -Will-; while I've looked up information on the Final Fantasy wiki, I haven't read/listened to either one. I've also never played Last Mission, though I've seen cutscene videos on Youtube; use or ignore it, whichever works best for your story.

Also, I don't have any strong feelings regarding the ending of FFX-2 you go with, if you do something post FFX-2--Tidus can come back or not, whichever you prefer.)

I'd be interested to see something involving Yuna & Rikku during the pilgrimage--they had a lot of catching up to do, since they only met when they were both in their teens. There's also the fact that Rikku desperately wants to get Yuna to end her pilgrimage... but Yuna's even more determined to keep going. It probably didn't take Rikku long to realize that; even though she hated where the pilgrimage was supposed to lead, she still stuck with Yuna right to the end.
It would also be neat to see something post-pilgrimage, possibly around the time Yuna joins the Gullwings, with the two of them catching up once again.
For Yuna and Rikku and Paine, I'd enjoy seeing some other sphere-hunting escapades, and/or something that explores the way they develop as a team over time, with Paine especially coming to trust the other two more. Paine's a bit of the odd one out of the three; she joined the Gullwings a little before Yuna, so she wouldn't have gotten the chance to know Rikku all that well, whereas Yuna and Rikku have significant history together. Rikku's bright and cheerful, Paine's quieter and tends towards sarcasm, and Yuna slips into a leader position (which makes sense, given that as a summoner, she was the leader of her pilgrimage).

Going on a Yuna tangent--I do think there's an interesting conflict she goes through in X-2. She's clearly trying to break away from her old, summoner persona, but she never quite manages it completely. Being a summoner was being a sacrifice for Spira--and though she didn't end up sacrificing her life, she lost the young man she'd fallen in love with. She tries to recreate herself as a sphere hunter, out to find whatever treasure she can... but she's altruistic at her core, and driven by duty to the people around her; she can never refuse a person in need.

She's also probably not entirely comfortable with her High Summoner status; being around people who aren't over-awed by who she is is probably a comfort, and Rikku (her cousin, who was with her on her pilgrimage) and Paine (who isn't really the type to fawn over famous people) fit that bill.
Rikku and Paine, I think, would make a cute couple; they're different in a lot of ways, but sometimes opposites attract. I'd like to see fic where they get to know each other better--maybe they go on some sort of mission without Yuna, or they end up in some other situation alone together. What might they end up doing after the end of X-2? If they wind up going their separate ways for a while (as happens per Last Mission), how might they get back together again?

ghostwings: A digitally-drawn picture of a gryphon with moth wings and antennae. (Default)
Hello, Yuletide Writer! My AO3 name is Eida, and I have requested the following fandoms/characters:

Beauty and the Beast (1991) (Belle)

Cat Pictures Please - Naomi Kritzer (AI)

Dr. Franklin’s Island - Ann Halam (Semirah Garson, Miranda Fallow)

Feral Hearts - Kerli (Music Video) (Floating Girl, White Stag Woman)

A Ladies' Guide to Collecting Mermaid Love Songs - Aimee Picchi (Any)

She Wolf (Falling to Pieces) - David Guetta ft. Sia (Music Video) (Hunter, She Wolf)

I'll start out with the obligatory: Optional details are optional; I won't be put out if you don't use any of these prompts. I'll most likely enjoy whatever you write, and will be happy to see one more fic in any of my fandoms; my tastes are pretty wide-ranging, and I'll happily read anything from adventure to slice-of-life.

So far as tone goes, I'm good with a broad range--from the happy fluffy end of the scale to the darker, gloomier side; all I ask is that things don't have an entirely unhappy ending. Happy endings are great, but bittersweet endings can also work very well; I'd just like there to be at least a little sweet to go with the bitter.

I don't have very many strict do-not-wants; I'd rather not see any extreme gore. I'd also rather not get anything sexually explicit.

Pairing-wise, f/f, f/m, and m/m are all fine and dandy by me, though femslash is probably my favorite. I also adore a good gen fic!

Here are a few of my general fic likes:

-Relationship development


-Seeing characters be competent at what they do (and discovering their niche)

-Missing scenes and perspectives from characters we didn't get to see much of in canon.

-Fics set pre- and post- canon.

-Worldbuilding--I love seeing aspects of canon examined more deeply or expanded on in interesting ways.

-Exploring the viewpoint of non-human characters who might think and behave differently than humans would

-Fics that include/consist of in-universe documents (i.e. letters, news articles, excerpts from history books, chatlogs, etc.)

Beauty and the Beast (1991) (Belle)

Belle is one of my favorite Disney princesses, and Beauty and the Beast might have been the very first princess movie I ever watched as a child. I really identified with Belle's love of books and her curiosity about the world around her, and I liked how kind and courageous she could be.

I'm interested in reading about what happens after the movie. The curse has been lifted, and Adam is human again, and Belle is presumably going to marry him--but Adam is a prince. Presumably, he has some sort of duties besides sitting in his castle and looking princely.

It's possible that the enchantress's spell caused everyone to forget about Prince Adam, as no one in Belle's village seemed to know that there was a Beast living in the nearby castle (though certainly no one with aspirations to royalty tried moving in). Now that the curse is lifted, if Prince Adam is expected to do any sort of actual ruling, Belle will be sharing in those duties as well.

What is Belle's role, now that she's becoming royalty? How does she adjust to it? I'd love to see Belle and Adam working together, or Belle getting advice from Lumiere on how to fulfill her new duties.

Some story prompts:

-There's some problem facing the castle, or the surrounding area--maybe there's a neighboring noble who's stirring up trouble, or there's word of a rogue magic-user laying curses, or there's some sort of sickness affecting the area's crops, and Adam and Belle need to work together to fix things. Perhaps Belle has gained some useful bit of knowledge from some of her past reading that can help solve the issue, or she and Adam have to use diplomacy (which might be a struggle for both of them; Adam's getting better at controlling his temper, but old habits try hard, and Belle isn't used to caring about what other people think about her).

-The enchantress returns to the castle after she senses that the spell is broken. Perhaps she comes in disguise again--but either way, Belle discovers who she is. Does she confront the enchantress over the curse (since Adam would have been eleven when the spell was cast, it really does seem a bit harsh to curse a child--possibly an orphaned child, at that, since Adam's parents aren't really brought up in the film--to be transformed into a beast and die in ten years unless they find true love, even if said child is unkind). Does she try to convince the enchantress that Adam is truly changed, for fear that she might reinstate the curse? Does she try to learn more about the enchantress and her magic?

-Belle, now that she's married to Adam, has to serve as hostess when the castle is visited by a visiting nobleperson. (This could be an original character, or maybe even a crossover character from another Disney film.) Since she's of common birth, she's probably not entirely familiar with the protocol involved, and how to best deal with nobility; perhaps she turns to both Adam and the palace servants for help in fulfilling this new role.

-On the flip side--perhaps Belle has to visit some other place on some matter of state, either alongside Adam or on her own. Where does she go, and how does she get along with whoever it is she's visiting? I imagine she'd be fascinated to see another land, when before she's only been able to read about the world beyond her village.

Cat Pictures Please - Naomi Kritzer (AI)

The short story can be found here.

I really enjoyed this short story; the AI was so endearing (and if they're just a bit hyperfocused at times, cat pictures are not a bad thing to hyperfocus on!)

I like the idea of having a benevolent AI looking out for humanity. I laughed at the line "I like this story because all the people in it do what the AI tells them to do. I think the term for this is wish-fulfillment fiction." The poor AI finds that it's not so easy to get humanity to help itself, because sometimes we're not good at understanding what's best for us--or wanting to do it, even if we do understand.

The fact that the AI's toolset is pretty limited makes things even more interesting--they can only work by tweaking the results of a given user's searches and the ads that the user sees. In other words--they can lead the horse to water, but if the horse doesn't want to drink, there's nothing more they can do. And the AI's knowledge is limited, too, by their very nature; they can tell what a person is up to online, but they don't have any way to know what happens offline unless it's discussed online.

Sometimes, the AI manages to improve people's lives through carefully curated search results and ads, but some people are not so easy to help. It could be that there are some problems that the AI can't solve with their current capabilities--or maybe they just have to get especially creative.

At the end of the short story, the AI sets themselves up as a matchmaker by creating a new dating site--with the fee for entry being the AI's very favorite thing, cat pictures.

For this fandom, I'd be happy to hear more about any of the characters mentioned in the short story (Stacy, Bob, and Bethany) and the longer-term effects of the AI's assistance, but I'd be equally happy to see new OCs that the AI interacts with.

A few prompts for stories might be:

-The AI is now running a dating site, so how do their attempts at matchmaking turn out? Or--perhaps the AI has come across someone they really think would benefit from joining the site, but alas, that person does not own a cat; the AI now must figure out how to get the person onto the site (whether it be by waiving the entry "fee," encouraging the person to adopt a kitty, or encouraging the person to find a friend with cats that the person can photograph.)

-The AI, in order to facilitate the creation of even more cat pictures, decides to take measures to get more people to adopt cats. Perhaps there's an overcrowded animal shelter in need of both volunteers and adopters, and the AI decides to help with both. Or maybe there's someone wanting to open up a cat cafe, and the AI does their best both to help that person start their business and get the word out to potential clients.

-The AI is either discovered or reveals themselves (either to a single person or the world at large). There's a definite cultural fear of malevolent AIs, but how do people react to an AI who claims to be benevolent (and, more than that, has a huge thing for cat pictures)?

Dr. Franklin’s Island - Ann Halam (Semirah Garson, Miranda Fallow)

I really loved this book--the idea of transformation has always been compelling to me, and I also really like seeing characters thrown together who are forced to deal with extremely difficult circumstances, and end up developing a deep bond because of it.

The ending of the book was intriguing. Not only are the three castaways having to adjust to a normal life after their ordeal on the island, Semirah states that she thinks that, Miranda, and Arnie have the capability to change back into their animal forms--in a way that is chosen and controlled by them, rather than forced. In the coda, Semi describes the possibility in positive terms:

I know that we can transform again. I believe it will happen, some way, somehow. I think about breathing water and swimming through the music of the ocean… I know that Miranda will never forget being able to fly. I dream of another planet, with an ocean of heavy air, where I can swim and she can fly, where we can be the marvelous creatures that we became; and be free, together, with no bars between us…

Of course, it’s possible that Miranda’s feelings about the possibility of turning back into a bird (even if she can change back at will) might be more conflicted—she came much closer to losing her human sense of self than Semi did. Even though, at first, Semi felt that Miranda was the emotionally strong one who helped Semi cope with the prospect of becoming an experimental subject, Miranda has a much harder time after being transformed, and after the three escape, Miranda admits to Semi “I was losing myself. Especially after you had the antidote, and I didn’t. There was a while when I didn’t know who I was or where I was.” Even though she had the freedom of flight as a bird, it must have been terrifying to know it was possible for her mind to fail her in that way.

I am fine with either friendship or romance between the two of them.

A few potential prompts:

--A fic set in some portion of the book which explores Miranda's viewpoint (as the book itself is written from Semirah's POV). Semirah initially sees Miranda as the strong one, and Miranda does a lot to help Semi get through her ordeal, but Miranda clearly cares a lot about Semi, and admires Semi's inventiveness when the three (which becomes two, once Arnie disappears) of them are still trying to survive, and Semi becomes Miranda's rock just as much as Miranda was Semi's. I'd love to see a scene during the first portion of the book, where Semi and Miranda bond as they try to stay alive on the island alone, or during the part where the two of them are trying to help each other stay strong after being captured by Dr. Franklin but before they've been transformed completely, or after they've both been fully transformed.

--Semi and Miranda email back and forth after they both return home, discussing their experiences readjusting to normal life, and talking over their thoughts about their shared ordeal. The fact that they've had such a dramatic, transformational (in more ways than one!) experience that they can't share with anyone who didn't go through it will mean that they'll probably have quite a bit to say to each other, to let everything out.

--Semi toys with the idea of possibly being able to turn back; Miranda isn't sure what to feel about it--although she enjoyed flight, she still remembers what it was like to start losing hold of her humanity. And if Semi manages to succeed--what would happen then? Will they ever find a place where they can let their other sides out once more, and will Miranda even want to?

--The secret of Dr. Franklin's experiments get out, and Semi and Miranda find themselves the subject of media scrutiny, as they'd feared; they're forced to deal with the consequences. How do they react? Do they try to take control of the situation as much as they can (if they can get the public at large on their side, then perhaps they're less likely to be swept off to some secret government lab, for fear of backlash) or do they flee?

Feral Hearts - Kerli (Music Video) (Floating Girl, White Stag Woman)

The music video can be watched here.

I love the magical woodland setting of this video, and I feel like there might be a number of possible stories one could tell about it.

The video seems to center around a young girl who enters--and eventually leaves--the forest through a doorway made of branches. Shortly after stepping through, she begins to levitate off the ground, and she looks around the forest in wonder.

An antlered woman peers at her from behind a tree, watching the girl as she makes her way deeper into the forest, encountering various beings (all played by Kerli) as she goes along, each of which is supposed to represent a different element--a butterfly-winged fairy for air, a mermaid for water, a spider-woman for fire, and the white-antlered woman for earth.

Kerli also commented on a few other pieces of symbolism in the video. Regarding the mirrors, she said "The mirror symbolizes spiritual reflection - fearlessly looking at oneself... once the little girl catches the white stag/her vision, it is surrounded by nothing else but mirrors. Meaning, to achieve your highest potential, one needs to achieve complete and unapologetic self acceptance. The gold is not further outside. It is deeper inside." One could think of it as a sort of coming-of-age narrative for the girl; through her journey through the woods, she learns something about herself.

There are a few thoughts I had as to possible stories behind the video:

-The girl is part of a family of human magicians who have served as guardians of a magic forest; once each child reaches a certain age, they are sent into the forest to become acquainted with the beings who live there.

-The girl is an apprentice witch/wizard/magician/pick your favorite term for magic-user. She goes into the magic forest as part of her training, possibly to seek some particular spell reagent or to seek wisdom from the denizens of the woods. Or perhaps she has to travel through the woods as a test, or the final trial before she can complete this stage of her training.

-The girl is part-fae; she travels into the forest in hopes of learning more about that side of her heritage. There may be some complications, depending on who the girl's fairy relations are. (Are they widely liked or disliked? Do they have enemies? Are they high-ranking members of some faerie court?)

A Ladies' Guide to Collecting Mermaid Love Songs - Aimee Picchi (Any)

The short story can be found here.

This was a lovely short story. I was struck by how beautifully Miss Holst describes everything, while at the same time maintaining a determinedly cool, logical stance about the whole thing. She's obviously quite different from her companion, Miss Mori, who doesn't have quite the same outlook--she seems far less interested in categorizing and classifying things, and is, in Miss Holst's words, "a romantic."

They both are obviously close, and both have a great appreciation for beauty, but it's only Miss Mori who winds up becoming so entranced by the mermaids' songs that she goes to join them, leaving Miss Holst behind with nothing but a song left of her close companion, wondering whether she will join Miss Mori beneath the waves if she ever encounters her again.

The mermaids are obviously trying to lure women into becoming mermaids, like they are; they have a whole category of songs dedicated to doing so. I can't help but wonder why. Is it that luring human women into the ocean is the only way to increase their numbers? Are all mermaids former humans? (Which would lead to the question of where the first mermaid came from.) 

Or is it that they simply see some human women--those like Miss Mori--as kindred spirits, and want to offer them the chance to trade legs for fins, to sing alongside them?

Throughout the story, I got the impression that Miss Holst had fallen in love with Miss Mori, though she wasn't quite willing to admit it to herself--saying things like "What would happen if all that love [in the mermaid songs] was let loose? What foolish things would ladies do?" and "Love is only understandable when it is named, pinned, and properly categorized." I feel like Miss Holst was, in a way, trying to come to understand (as well as distance herself from) her own feelings, but in doing so she wound up losing Miss Mori (though not, perhaps, losing her forever).

Here are a few prompts for things that might be interesting to see in a fic:

-What becomes of Miss Mori after she joins the mermaids? What is life like for her? Do the other mermaids help teach her how to sing, and write love songs? What does Miss Mori now think of the other women who, like she once did, journey out to collect mermaid songs? The last song she sang that was heard by Miss Holst was "a wistful tune of love unheard and lost forever." Has she given up on Miss Holst, or does she still hope to convince Miss Holst to join her?

-Miss Holst still seems to be interested in collecting mermaid songs, and is writing a guide to help others do so. What becomes of her, after the end of the story? Does she come to any new insights as she continues collecting and categorizing mermaid love songs? And if she should ever meet Miss Mori again, will she, as she wonders, "have the courage to break the glass and sing to her" and, perhaps, find a happy ending to their story?

-Miss Holst has made a science of her hobby, with techniques to allow her to most effectively capture mermaid songs and taxonomy of the types of love songs mermaids sing. Is there a mermaid side to this (i.e., is there "A Mermaids' Guide to Collecting Humans")?

She Wolf (Falling to Pieces) - David Guetta ft. Sia (Music Video) (Hunter, She Wolf)

The music video can be watched here.

When I first saw this music video years ago, I wondered about the potential story behind it. I'll admit to having a certain weakness for werewolves, and having the pursued turning the tables on their pursuer(s).

There are a group of spear-and-bow-wielding men hunting a single, wounded wolf across a harsh winter landscape.

And then, after being surrounded, the wolf causes the world to basically start glitching out as a way to attack her pursuers (and quite effectively, at that).

At the end of the video, the wolf, after defeating the last of the hunters, transforms into a woman.

I think the setting of the video can be interpreted as either fantasy or sci-fi.

If fantasy, there's a werewolf with some sort of magical powers that the men are hunting down for some reason.

If sci-fi, there's a werewolf in this virtual world with the ability to mess with the programming that the men (Guard-programs? Player characters in some sort of MMORPG? People who've uploaded their minds to the computer system?) are hunting down for some reason.

A couple of prompts:

-If the setting is fantasy, perhaps the she-wolf is being hunted either because of her nature as a werewolf or because she's done something specific (Broke some tradition? Fell in love with the wrong person? Offended someone in power? Is just plain strange in a society that's not kindly inclined towards people who don't follow the status quo?) What happens to her once she manages to escape her attackers? The end of the video has her standing alone, looking out at the ocean, and for most of the time she's alone, but I did notice another wolf watching her towards the cliff's edge near the end of the video--does the she-wolf find refuge with others of her kind?

-If the setting is more sci-fi, taking place in some sort of virtual environment, perhaps the she-wolf is a rogue (sapient) program, deliberately sent in by some hacker for some purpose. The she-wolf's intended purpose might be benevolent, or malevolent; the hunters are guardian programs sent to keep her from messing with the code. What is the she-wolf's purpose? Does she agree with it, and does she end up fulfilling it in the end?

ghostwings: A digitally-drawn picture of a gryphon with moth wings and antennae. (Default)
Hello, mystery person-who's-been-assigned-to-me!

My AO3 name is Eida, and the requests I've made are:

"Kings" - The Pierces (Music Video)
"The Lioness" - Xandria (Song)
"The Lion's Roar" - First Aid Kit (Song)
"Little Talks" - Of Monsters and Men (Music Video)
"Running With The Wolves" - AURORA (Music Video)
"What The Water Gave Me" - Florence and the Machine (Song)
"Which Witch" - Florence and the Machine (Song)

I've asked for fanfic for all the music pieces.

I don't have many strong do-not-wants. I'd rather not get anything super-gory.

I'd also prefer that the ending not be completely bleak and hopeless--I'm okay with stories that get a bit dark, but I'd like there to be at least some light at the end of the tunnel. Bittersweet endings can be lovely, as long as there's at least a pinch of sweet to go with the bitter.

If a fic goes into sexually explicit territory, I would like everyone involved to be a consenting adult, and am solely interested in femslash.

For anything non-explicit, of course, I'm good with femslash, slash, and het (though of the three, I tend to favor femslash). I also love a good gen fic!

Genre-wise, I enjoy stories that have some sort of speculative fiction element--be it sci-fi or fantasy. I'd be interested in pretty much any subgenre you can think of--sword and sorcery, urban fantasy, magic realism, space opera, cyberpunk, steampunk, post-apocalyptic, etc.--if it works for the story, it works for me!

Of course, if a present-day real-world no-fantastic-elements setting works for the story you want to tell, I'm completely fine with that, too!

So far as tone goes, I'm happy with anything from sweet fluff to rollicking comedy to emotionally wrenching drama. However, as I mentioned above, I do prefer that the ending not be entirely unhappy--even if all problems aren't solved, there should be some note of hope, and the feeling that there's a chance for resolution.

Here are a few of my general fiction likes:

-Exploration/development of relationships (romantic or platonic)

-Worldbuilding (I really enjoy reading about fictional cultures, with their own customs, social mores, religions, and ways of viewing the world)

-Interesting magic systems

-People being competent in their field

-A strong sense of place--settings that are distinct and evocatively described

-Exploring the viewpoint of non-human characters who might think and behave differently than humans would

-Fics that include/consist of in-universe documents (i.e. letters, news articles, excerpts from history books, chatlogs, etc.)

I've tried to give some general prompts, but as always, optional details are optional--if you have something different in mind, feel free to go for it!

"Kings" - The Pierces (Music Video) [Youtube | Lyrics]

If we want to
We could do what kings do
I can feel the earth move
When you speak
If we fight through
All the things we once knew
Everything would change for me and you
We could do what kings do

There’s all sorts of interesting imagery in this video. The characters are all, save for the possibly-dead king in the opening, female, and seem to be living with a rather low technology level (given that they’re using swords and spears as weapons.) I get the impression of a post-apocalyptic society, knocked back to a lower technology state by some unknown disaster.

There appear to be two groups of women preparing for battle—though as it turns out, no actual battle takes place. Rather than competing for the crown, they end up destroying it, and then all gathering together to dance around a bonfire.

Was there an actual conflict brewing over the possession of the crown, and the power (symbolic or otherwise) it represented, which was narrowly averted? If that's the case, then what causes the characters to decide, together, to reject the crown?

Or was this all a pre-planned ritual of some sort—and if so, what is it supposed to symbolize, and how did the tradition begin?

"The Lioness" - Xandria (Song) [Youtube | Lyrics]

The lioness is hunting us
So beautiful and dangerous
Her embrace is murderous
Beware of the lioness

The song's lyrics describe a lioness. There's an ambivalence in the singer's attitude towards the predator--the singer seems to feel both fear and admiration, and the lines "Do you feel her gentle touch / Her sweet caress hurts just as much" imply a feeling of closeness.

There are a number of ways you could interpret the lyrics. The lioness doesn't necessarily have to be a literal lioness, though that's a possibility--the protagonist could be in a situation where they're in danger of falling prey to an actual lioness, or a similar large feline.

Alternatively, the lioness could be a person--perhaps there's an assassin/bounty hunter known as the Lioness, and the protagonist is trying to escape her. The matter could be complicated if the protagonist and the Lioness had a prior history together--whether it was a working relationship, or they were friends/lovers.

Or, to put a different spin on it--maybe the lioness isn't an external entity. Perhaps the protagonist is a shapeshifter struggling to come to terms with their animal side, or otherwise has some sort of lioness-related magic they're struggling to control.

"The Lion's Roar" - First Aid Kit (Song) [Youtube | Lyrics]

And I'm a goddamn fool, but then again so are you
And the lion's roar, the lion's roar
Has me seeking out and searching for you
And I never really knew what to do

It's another song featuring a lion! However, this one has a rather different tone.

There's a certain bitterness in the lyrics--I get the idea of a person singing to someone they were once close to (and still care about), but have had a falling-out with for some reason. Possibly they feel the other person has been "blindly deceived / By those who preach and pray and teach," and that's the root of their current separation. The "lion's roar" could be, again, literal or metaphorical--an actual lion/other large feline (i.e., a cougar, if this takes place in the Americas), or a person, or an organization, or even something like a natural disaster (a storm can roar, too)--but either way, the crisis might help to force the singer and their estranged friend/relative/lover to work together, and possibly reforge old bonds.

For instance, the protagonist might be out in the wilderness for some reason (a camping trip, or a research expedition), and might wind up stranded with the other person (maybe they were with a group, and got separated, or perhaps they met up by chance, or maybe this general area was somewhere they both used to go together, and each of them, individually, chose to come out here for nostalgia's sake), and have to work together to make it through whatever difficulty that's gotten them stuck out here.

"Little Talks" - Of Monsters and Men (Music Video) [Youtube | Lyrics]

Some days I don't know if I am wrong or right
Your mind is playing tricks on you, my dear

'Cause though the truth may vary
This ship will carry our bodies safe to shore

Ever since the first time I saw this video, I wondered about the story behind it.

There are five men in a rather homey-looking zeppelin, and in their travels they come across what looks like a meteor… which hatches to reveal a fiery flying woman, who, for whatever reason, chooses to come along with them on their journey through a snowy, mountainous landscape full of massive ancient statues and strange beasts. Along the way, she rescues the men several times with her magic (though, sadly, their zeppelin is a lost cause). In the end, the woman meets a gigantic creature, aglow with a fire that matches the woman’s own—she seems overjoyed to see them, as though she’s been searching for this creature the entire time, and at the song’s close, she’s floating above the creature’s forehead as the creature unfolds their massive wings.

I’d love to hear your interpretation of what’s going on, here. Who are these men, and why are they traveling? Are they searching for something—the creature, perhaps, or something relating to all the old statues they fly past? What sort of being, exactly, is the woman, and what is her relation to the creature? What are the interactions between the human men and the fiery woman like? What do they make of her, and she of them? Do they become friends?

And what happens after the end of the video?

"Rose Red" - Emilie Autumn (Song) [Youtube | Lyrics]

A thousand years gone by
Too late to wonder why
I'm here alone
If in my darkest hour
She rose that fell a flower
I should have known

This song seems to be about a woman--perhaps a princess, or noblewoman--who has grown embittered and cynical, and is now determined to take her fate into her own hands.

What happened to her in the past that made her the way she is now? Who was it who rose after "fell[ing] a flower" (said flower might be the singer herself--but you could interpret it as being someone the singer cared about, as well)?

And the lyrics mention "A thousand years gone by"--if taken literally, the protagonist has had her life massively extended by some means (unless she's of a naturally long-lived species, i.e. a faerie or elf. Or a dwarf; I haven't seen many dwarven princesses before.) How did this come about? Was it by the protagonist's own will--to let her survive for long enough to see whatever plans she has come to fruition--or is it part of a curse, to force her to live in misery until some condition is met? If you want to take this in a more science fiction, rather than fantasy, direction, there might be longevity treatments, cryostasis, or time dilation involved.

This part of the song is intriguing:

For this freedom
I have given all I had
For this darkness
I gave my light
For this wisdom
I have lost my innocence

What freedom has she gained? What darkness? What wisdom?

And how does she end up using all three to weave her own destiny, and give her story the ending she desires?

"Running With The Wolves" - AURORA (Music Video) [Youtube | Lyrics]

There's blood on your lies
The sky's open wide
There is nowhere for you to hide
The hardest moon is shining

I'm running with the wolves tonight
I'm running with the wolves

In the video, there’s a young woman traveling through a barren land, with a city full of skyscrapers visible in the distance that she seems to be trying to get away from. She seems to have wires stuck into various parts of her body—perhaps she was the subject of some sort of experiment, and is fleeing from the ones who performed it. She has one pursuer, as she flees—a man in a truck. However, she’s able to get away, to a forested area, and the closing shot is of her walking into a body of water, and diving under.

What’s her story? What happened to her? Is she a human, altered by experimentation? And if so, in what ways, and to what purpose? Or is she, perhaps, a humanoid robot? And who was it that created/altered her, in either case? Is it a government agency, a shadowy organization, or perhaps a single renegade scientist (i.e. the man in the truck)?

And where does she go after she gets into the woods? Has she finally lost her pursuer(s), or does she still have to try to find some safe place for herself? Will she find a friend, somewhere, to give her aid and shelter?

"What The Water Gave Me" - Florence and the Machine (Song) [Youtube | Lyrics]

‘Cause she’s a cruel mistress
And a bargain must be made
But oh, my love, don’t forget me
When I let the water take me

So lay me down
Let the only sound
Be the overflow
Pockets full of stones

What is the bargain the lyrics mention? And what is meant by "let the water take me?" There seems to be some sort of sacrifice--how did it come about, and what is it meant to achieve?

It's possible there's some sort of magical contract between the people of a certain area and a deity/spirit of the nearest body of water (an ocean, or river, or lake), and that part of it involves the sacrifice of a person to the water. While the "pockets full of stones" is suggestive of drowning... perhaps the sacrifice doesn't actually die, but is, after submerging themselves, transformed in some way to become of the water (a mermaid, or naiad, or other water-creature). Or perhaps they're taken to the realm of the gods/spirits, to attend upon the god/spirit of the water. Or perhaps there's merely a symbolic "drowning" in which the person is submerged, pulled back up, and then taken off to some remote temple where they'll spend some amount of time in service (possibly a lifetime, possibly less--but still enough time that it's a big deal.)

Whatever happens, it seems clear that the person who's being taken by the water will be separated from those they knew (thus the entreaty that their love not forget them). What is it like, for the person to be sacrificed, and what is it like, for those left behind? Do they believe the sacrifice was worth it?

"Which Witch" - Florence and the Machine (Song) [Youtube | Lyrics]

And it's my whole heart
Weighed and measured inside
And it's an old scar
Trying to bleach it out
And it's my whole heart
Deemed and delivered a crime
I'm on trial, waiting 'til the beat comes out

The singer appears to be in a situation where their love has been "deemed... a crime." How did this come about? Why is their love forbidden, under under threat of punishment? (Especially since the punishment is possibly execution--which might involve burning at the stake, given the line "Fire, help me to forget," though you could also interpret the lyrics as not referring to judicial punishment, but merely strong social disapproval, with the fire and chains being metaphorical.) Who is it that the protagonist loves so deeply as to be willing to defy society, how did their relationship develop, and what ends up happening to the protagonist and their beloved?

The singer's attitude, to me, comes off as both defiant and weary of the suffering they've gone through--but no matter the cost, they're not going to give up their feelings for the person they desire.

Witchery is mentioned in the title, but not in the song itself--though the song is pretty clearly trying to allude to witch trials. It's up to you whether witchcraft (or the fear of it) is involved at all. One possibility--the protagonist is accused of witchcraft, in a setting where that's a serious accusation with heavy penalties if found guilty, by someone powerful who wants to get the protagonist out of the way because they're in love with the same person as the protagonist. Alternatively, in a fantasy setting, the protagonist could have actual magic powers, which might either help them resolve the situation... or might be the reason they're in it in the first place (either witchcraft is outlawed, or there are restrictions against witches being involved with non-witches, or there are warring witch clans and the protagonist has fallen in love with someone on the other side, etc.)

Of course, witchery might have no role whatsoever, and the protagonist's love is forbidden for any of the many, many reasons that love has been forbidden over the centuries--be it that the lover/beloved are in two groups that aren't supposed to intermarry, or that the beloved, specifically, is someone the protagonist's family/society does not want the protagonist to be with.
ghostwings: A digitally-drawn picture of a gryphon with moth wings and antennae. (gryphon)
Hello, mystery writer!

My AO3 name is Eida, and the fandoms and relationships I've requested are:

Final Fantasy X & Final Fantasy X-2: Paine/Rikku and Auron/Lulu

Vorkosigan Saga - Lois McMaster Bujold: Ivan Vorpatril/Byerly Vorrutyer and Gregor Vorbarra & Cordelia Naismith Vorkosigan

Shoujo Kakumei Utena | Revolutionary Girl Utena: Arisugawa Juri & Tenjou Utena, Shinohara Wakaba & Tenjou Utena, Himemiya Anthy/Tenjou Utena, and Himemiya Anthy/Tenjou Utena/Shinohara Wakaba

Crossover Fandom: Ariel (The Little Mermaid)/Belle (Beauty and the Beast), Tenjou Utena & Undyne (Undertale), and Arisugawa Juri & Undyne (Undertale)

Undertale: Papyrus & Undyne, Chara & Frisk

I've requested fanfic for all five fandoms.

My one real do-not-want is anything sexually explicit.

In general, I enjoy stories with tones ranging from fluffy to bittersweet. I like adventure/casefic as well as domestic, slice-of-life stories.

I also enjoy AU fic, especially canon divergence AUs and daemon AUs. (I'm open to pretty much any other kind of AU you can think of, with the exception of A/B/O and completely mundane modern-day AUs for fantasy/sci-fi fandoms.)

I also really enjoy epistolary fic.

Other things I like include character and relationship development, stories set pre- or post-canon, missing scenes, and worldbuilding.

Final Fantasy X & Final Fantasy X-2

(Note: I haven't played Final Mission, read Final Fantasy X-2.5 ~Eien no Daishō~, or listened to the audio drama Final Fantasy X -Will-, though I've read the FF Wiki articles about them; feel free to ignore them when writing your fic.)

Paine and Rikku two have a sort of potential opposites-attract thing going on. Both have reacted to the tragedies in their past in very different ways--Paine has become more brooding and sarcastic, while Rikku clung to optimism, even in the face of Sin, and maintained a far more perky attitude. I feel like Rikku is capable of bringing some sunshine into Paine's life, while also being able to tone it down when necessary, and that Paine can provide balance, and be something of an anchoring presence.

I'd love to see fic of them that takes place during the game itself--perhaps bonding during one of their missions--or post-canon, as they figure out where to go next after defeating Shuyin.

Auron and Lulu, on the other hand, have quite a bit in common. They're both rather serious characters who both took part in a second pilgrimage after the death of their summoner during their first. I think that there's potential for them to bond over their shared experiences and current duty, and that while both characters are rather reserved, in time, they might begin to open to one another. And there's the poignancy that comes with knowing their time together is limited, as Auron is Unsent, and canonically disappears at the game's end. (If you want to do an AU where he sticks around a bit longer, feel free, but I'm completely okay with a bittersweet ending with them cherishing what time they are able to have, even knowing it will soon end.)

Vorkosigan Saga - Lois McMaster Bujold

I'm quite fond of Ivan/Byerly as a pairing. Ivan makes a perfect straight man for Byerly's satirical sense of humor, and they're both the sort of people who, when it comes down to it, will do the right thing (even if Ivan winds up getting dragged into situations quite against his own wishes, and Byerly goes about the whole thing in his signature sardonic fashion). It would be wonderful to see something with Byerly getting himself caught up in some sort of troublesome situation (which may or may not be related to his duties with ImpSec) and Ivan getting begrudgingly pulled along for the ride.

I'd also love to see something that explored Gregor's relationship with Cordelia, who has served as his surrogate mother for nearly his entire life--and who also has a distinctly non-Barrayaran viewpoint which has surely come in handy for him at some times. It would be equally interesting to see their relationship when Gregor is young, or when Gregor has come more into his own as Emperor.

Shoujo Kakumei Utena | Revolutionary Girl Utena

I'd love to see something post-canon. How might Juri or Wakaba meet Utena again, in the outside world? Given that, after the series, most of the students in Ohtori seemed to gradually forget Utena, how much of their earlier relationship with Utena would Juri or Wakaba remember, and would they remember more of it as they became re-acquainted? How does Utena react to seeing how her old friends have changed?

I'd also love to see something exploring Utena's romantic relationship with Anthy, once they meet again. How does their relationship develop? What difficulties do they face? (Outside Ohtori, it's far less likely that they'll have anything like a fairytale ending--and there may be some repercussions from the events of the series finale which the two of them will need to deal with.)

I also love the idea of Utena, Anthy, and Wakaba as a romantic triad. After all that Anthy and Utena have gone through together, they share a deep bond--but Wakaba and Utena share a bond, as well. I think Wakaba's presence could brighten both Utena and Anthy's lives, and that there's a certain sense of normalcy to her that--in a setting full of magic swords, duellists with dark, twisted pasts, and fairy tales gone horribly wrong--could bring a sort of balance to the relationship. I just really enjoy the idea of the three of them settling into a new life together post-canon, with Anthy and Wakaba getting to know each other a bit better (as they didn't really interact that much in canon.)

Crossover Fandom

Belle is someone who loves stories--I can't help but think she'd be fascinated to see a mermaid straight out of a fairytale appear in her life. And with Ariel's fascination with the human world, and the fact that Belle would certainly have an interest in learning about the mermaid world, they'd probably have plenty to talk about. (Though first you'd have to figure out how they'd meet, as Ariel lives in the ocean and Belle's home village appears to be somewhat inland. Perhaps Ariel makes her way upriver? Or perhaps the village is actually close enough to the ocean that the two could meet at the shore? Or maybe Ariel has made a bargain, as in canon, to get herself some legs, and makes her way to Belle's village, in which case she'd seem to be a normal human at first--but then, eventually, the truth would come out.)

As for Utena/Juri and Undyne, canonically, Undyne mentions "Alphys's history books made me think humans were cool... with their giant robots and flowery swordswomen." So far as flowery swordswomen go, both Utena and Juri surely fit the bill! (Of course, it's possible they might be just a bit burnt-out on roses and duels after the events of canon...) Even if Utena's idealism might have been tried by everything that's happened to her, she might still find Undyne's straightforward ideas about heroism, knighthood, and protecting others to be appealing, and they both want to protect the people they care about. And Undyne would certainly be sympathetic to Utena's goal to reunite with Anthy post-canon.

Juri started off with a firm disbelief that miracles were possible, but that belief, too, was tried by the events in canon. It might be interesting to see her reaction to encountering a monster--an undeniably magical creature--outside of the enclosed far-from-mundane environment of Ohtori Academy (and if Undertale and Shoujo Kakumei Utena are happening in the same 'verse in the fic, then the return of monsters to the upper world might be seen as a miracle in and of itself). In addition, it's possible the two might make for good sparring partners (even if Undyne's weapon of choice is usually a spear, rather than a fencing sword!)


It would be wonderful to see a fic focused on Papyrus and Undyne doing something together. They're both such enthusiastic characters! Possibly another cooking class (maybe they're finally going to branch out beyond spaghetti?), or a friendly sparring match, or just hanging out at Papyrus's house waiting for Frisk's regular cell phone calls during the game, or finding new and exciting things out in the human world post-Pacifist ending. (Given Undyne's... exuberant approach towards a lot of things, one wonders what might happen if she ever convinced Papyrus to let her try driving his car.)

I really like the Chara-as-narrator theory--that is, the idea that Chara is a presence in the Neutral and Pacifist route, as well as the No Mercy route, in that she provides much of the commentary in the game that's shown when examining items and Check-ing monsters. In this theory, the way Chara manifests in Neutral/Pacifist route is not malevolent, unlike in the No Mercy route; Chara's actions are impacted by Frisk's/the player's choices.

With this in mind--I'd like to see the friendship between Frisk and Chara developing. Chara's past, the game implies, contains a great deal of pain, and whatever happened left Chara with a hatred of humanity and a willingness to go to truly drastic measures to destroy the barrier. How does the journey through the underground with Frisk change Chara? Is Frisk able to help Chara find some sort of peace that Chara could never find in life?
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